Into Something Rich and Strange

Younghee Choi Martin at the Nabi Gallery, 2004

Reception: Thursday, November 4th 2004

Exhibition Overview

Into Something Rich and Strange, a selection of paintings by Younghee Choi Martin, opens Thursday, November 4, at the Nabi Gallery in Chelsea.

Drawing inspiration from T.S. Eliot’s The Waste Land and Virgil’s Aeneid, the work is an original mix of classical and modern, employing a semi-abstract style to express tragic and heroic themes. Affirming that “painting is silent poetry,” the artist brings a refreshing sense of drama to the contemporary scene.

The solo show opens with a reception Thursday, November 4, from 6 to 8 p.m. and continues through December 11. The gallery is at 137 West 25th Street, between 6th and 7th Avenues.

From 30 years of painting, Younghee Choi Martin has developed an approach to oils that resonates into the distant past. Steeped in myth and literature, it reveals as well a close study of the Old Masters, an affinity with Impressionist and Cubist methods, and a flair for dramatic gestures and colors. “One falls into these works, into their sophistication and their open-hearted embrace of painting,” writes fellow artist John Bradford. “They beckon you to float lightly along their surface until you are enveloped, finally, in their compelling feeling of longing for some sense of the wholeness we have lost.”

A book illustrating 52 of Younghee’s paintings, along with essays by Mr. Bradford , Mr. Joel Silverstein, and others, has been published in connection with the show and is available at the gallery.

Educated at the Rhode Island School of Design and in Rome, and the recipient of numerous honors, the artist has had 17 previous one-person shows and over 50 group exhibitions in New York and throughout the United States, as well as in France, Italy, Japan, and Korea. She lives and paints in Chelsea.

Exhibition Works

The Fire Sermon

1993, oil on linen, 49" x 72"

Fragments

1994, monotype on paper, 18" x 18"

Philomel

1995, oil on linen, 79" x 52"

Phlebas

1995, oil on linen, 36" x 30"

Hyacinth Garden

1997, oil on linen, 45" x 45"

By the Water

1997, oil on linen, 31" x 31"

Over Himavant

1997, oil on linen, 42" x 36"

Faint Moonlight

1998, oil on linen, 22" x 25"

Ganga

1999, oil on linen, 36" x 42"

Violet Air

1999, oil on linen, 23" x 26"

Whisper Music

1999, oil on linen, 36" x 45"

Thunder of Spring

1999, oil on linen paper, 18" x 25"

The Heart of Light

2000, oil on linen, 71" x 76"

Ethereal Rumors

2001, oil on linen, 72" x 75"

Sun's Last Rays

2001, oil on linen, 54" x 45"

A Damp Gust

2002, oil on linen, 24" x 28"

Inexplicable

2002, oil on linen, 16" x 18"

Moon Shone Bright

2002, oil on linen paper, 15" x 22"

Thetis

2002, oil on linen, 12" x 12"

Inundation

2003, oil on linen, 11" x 11"

Vernal Pool

2003, oil on linen, 22" x 30"

Gleaming Night

2003, oil on linen, 31" x 31"

Winter Dawn

2003, oil on linen, 42" x 45"

Waiting for Rain

2003, oil on linen, 44" x 59"

Murmur

2003, oil on linen, 16" x 16"

Sylvanus

2003, oil on linen paper, 15" x 15"

Patroklos

2003, oil on linen, 21" x 22"

River of Forgetfulness

2003, oil on linen, 16" x 20"

Trembling Oak

2003, oil on linen, 34" x 45"

The Fall of troy

2004, oil on linen, 61" x 80"

Red Rose Dawn

2004, oil on linen, 11" x 12"

Libation Bearer

2004, oil on linen, 22" x 31"

Summer Night

2004, oil on linen, 45" x 54"

Arcadian Memory

2004, oil on linen, 45" x 54"

Murmuring Waters of Xanthus

2004, charcoal, oil on BFK Reeves paper, 22" x 22"

Younghee Choi Martin

Since the late 1970’s, Younghee Choi Martin has lived and worked in Chelsea, where she was one of the earliest artists to establish a painting studio. A graduate of the Rhode Island School of Design, she has been awarded painting fellowships from the National Endowment for the Arts and the NY CAPS program.

© 1974-2024 Younghee Choi Martin, All Rights Reserved. | Privacy | ProcessWire | Nibiri